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Bach Among Friends Bach Among Friends offers a selection of intimate duets Naughty girls in Bingen Washington arias as chamber hirls, in a setting which might have been heard in Bach's time played and enjoyed among friends at home. As performing colleagues, we enjoy the thrill of presenting Bach's major works in large venues for large audiences, but the special delights of Bach's chamber music in smaller spaces, house concerts and chamber halls offers friendly and direct communication.

The harpsichord was the available keyboard in the small private 24 sexy Tallahassee Florida mi of Bach's time.

Its unique personality is allowed to shine through as solo and supporting member on this recording. The theme of tirls selections focuses on the heart and soul, joy and longing.

Adoring the music of J. Bach unites us, and performing his challenging music continues to be one of our most fulfilling musical experiences.

Evening Serenade Beautiful and unusual Songs with guitar, violin, cello and harpsichord Rarely performed or recorded. Luminous Spirit "Singing with clarity and directness, luminous is a good description of the radiant voice of Rosa Lamoreaux.

Lamoreaux's singing is heartfelt, capturing the expansiveness and rapture inherent in Hildegard's compositions. Her phrasing and dynamics are simultaneously informed by a vast conceptual scope and a thorough focus on each minute detail, both essentials for any vocalist hoping to make artistic sense out of pure melody.

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Lamoreaux's limpid, lambent voice, great ease, prodigious range and perfect intonations through the leaps and melismas of the melodic line, ideally suit these sequences and hymns. Her voice, pellucid and supple, is Naughty girls in Bingen Washington at ease with Hildegard's demands.

In four arias by Alessandro Scarlatti she sang brilliantly, her clear soprano voice securely controlled in all ranges with stylistic authenticity, and in perfect collaboration with her accompanists.

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Lamoreaux sculpted with translucent delicacy over the throbbing underlying rhythm enforced by trumpet and organ. The trumpet matched every inflection and ornamental curlicue that Lamoreaux summoned.

She Naughty girls in Bingen Washington the pathos, tenderness, electricity, flamboyance, yearning and love expressed by the cabaret singers in the French clubs of the days ij Jane Avril. The audience is transported back to that era through the beauty of the songs and the power of the singer who captures the many facets of life and love so vividly drawn by composers and poets such as Appollonaire, Jean Anouilh, and Edith Piaf.

Step into the club, Le Chat Noir, and you will never be the same.

Be prepared to let your heart open completely to the transcendent magic of Rosa Lamoreaux, singer and actress. All piano accompaniments adapted and arranged by Betty Bullock. The repertoire for this recording was performed by the artists at the National Gallery of Wasnington for the exhibit "Toulouse-Lautrec and Montmartre.

Dancing Day - 13th - Hot girls in Wichita Kansas century Christmas Naughty girls in Bingen Washington, with traditional instruments of Hesperus, Tina Chancey on strings and the late Scott Reiss on recorders and hammered dulcimer. My Thing is My Own Hmm Listen carefully and you may be shocked to hear R-rated lyrics from Restoration England. Nauhhty is a delightful program of clever, bawdy, double entendre texts set to Common tunes of th century, from the collection of Thomas D'Urfey, Pills to Purge Melancholy.

Soprano Rosa Lamoreaux's bright, light tone and precise articulation are a joy. She never resorts to the heavy-handed leering that we get from some singers of this music, instead, she lets her glorious voice and D'Urfey's texts have their way".